LO-FI PHOTOGRAPHY

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May 2010

May 3, 2010
#film
May 3, 2010 1 note
#film
May 2, 2010 43 notes

April 2010

Apr 30, 2010 2 notes
#lomo #film
Apr 30, 2010 353 notes
#polaroid #instant film
Apr 29, 2010 1 note
#film #lomo
Apr 27, 2010 3 notes
#film
Apr 27, 2010 2 notes
#film
Apr 27, 2010 1 note
#film
Apr 27, 2010 1 note
#film
Apr 27, 2010 1 note
#film
Apr 27, 2010 1 note
#film
Apr 27, 2010 2 notes
#film
Apr 27, 2010 1 note
#film
Apr 24, 2010 2 notes
#lomo #film
Cross processing

Cross processing (sometimes abbreviated to Xpro) is the procedure of deliberately processing photographic film in a chemical solution intended for a different type of film. The effect was discovered independently by many different photographers often by mistake in the days of C-22 and E-4. The process is seen most often in fashion advertising and band photography, and in more recent years has become associated with the Lo-fi photography movement.

Cross processing usually involves one of the two following methods:

  • Processing positive color reversal film in C-41 chemicals, resulting in a negative image on a colorless base
  • Processing negative color print film in E-6 chemicals, resulting in a positive image but with the orange base of a normally processed color negative
Apr 24, 2010
#definition
Apr 24, 2010 1 note
#lomo #film
Apr 24, 2010
#film #lomo
Apr 24, 2010
#lomo #film
Apr 24, 2010
#film #lomo
Apr 21, 2010 4 notes
Apr 21, 2010 1 note
#film #lomo
Apr 21, 2010 2 notes
#film #lomo
Apr 21, 2010
#film #lomo
Apr 21, 2010
#lomo #film
Apr 21, 2010
#lomo #film
Apr 21, 2010 2 notes
#film #lomo
Apr 21, 2010
#film #lomo
Apr 21, 2010 1 note
#film #lomo
Apr 21, 2010
#lomo #film
Apr 21, 2010
#film #lomo
Apr 21, 2010
#film
Apr 21, 2010 1 note
Apr 21, 2010
#film
Apr 20, 2010 1 note
#polaroid pogo
Apr 20, 2010
#polaroid pogo
Apr 20, 2010 3 notes
#polaroid pogo
Apr 20, 2010
#polaroid pogo
Apr 20, 2010 1 note
#action sampler #film #lomo
Apr 20, 2010
#film
Photography Reading List

istillshootfilm:

A lot of people ask me, “Where’s a good place to start” with film photography, which is a really broad question. Personally, my first experience was in the class I took when I was 10 years old, so I started off having a teacher explaining things to me… and continued that for many many years… I would recommend taking a class first and foremost, but I get that a lot of people can’t afford darkroom expenses, in which case I recommend reading. Lots of reading. In fact, I’ll give you a portion of what was my required reading list in the BFA Photography program at the School of Visual Arts:

  • Black and White Photography by Henry Horenstein
  • Color Photography: A Working Manual by Henry Horenstein
  • Beyond Basic Photography: A Technical Manual by Henry Horenstein
  • The Camera by Ansel Adams
  • The Negative by Ansel Adams
  • The Print by Ansel Adams
  • A World History of Photography by Naomi Rosenblum
  • The History of Photography by Beaumont Newhall
  • Coming into Focus: A Step by Step Guide to Alternative Photographic Printing Processes by John Barnier
Apr 20, 2010 228 notes
#reference
Apr 20, 2010
#lomo #fish eye #film
Apr 20, 2010
#instant film #polaroid
Apr 20, 2010 2 notes
#polaroid #instant film
Apr 20, 2010 1 note
#lomo #film
Apr 20, 2010
Apr 20, 2010 2 notes
#action sampler #lomo #film
Apr 20, 2010 3 notes
#lomo #film
My digital camera broke, I am now only using my blackberry's camera.

I wasn’t upset.

I’m taking this as a sign that I am getting a head start on my goal to be amazing at lo-fi photography.

Apr 20, 2010 1 note
Apr 20, 2010
#polaroid #instant film
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